Sunday, August 19, 2012

Why "Spider-man 3" is superior to "Amazing Spider-Man"


                First of all, you all should know that I am a huge Spider-man fan. Not only is Peter Parker one of my favorite comic book characters, he is one of my favorite fictional characters of all time, right up there with; Jay Gatz, Cameron Frye, and Link. I saw the midnight showings of both Amazing Spider-man and Spider-man 3. So naturally I was excited for both of these movies, I went in to each with big expectations, and walked out of both with mixed feelings. Spider-man 3 got me excited because of how well done the two preceding movies were, especially Spider-man 2. I was also excited for the reboot because they seemed to get a lot of things right that the originals missed, like Gwen Stacy or Spider-man building his own web shooters. The thing is Amazing Spider-man has been getting a lot of positive buzz, but is overall a very poorly constructed movie, while Spider-man 3 is unjustly hated by many. The new Spider-man gets the details right but misses the bigger picture. Now before I go any further I want to warn you guys…Spoilers.
                Working at a movie theater, like I do, one hears customers saying a lot of stupid things (like Avatar should win best picture), but this time I heard multiple people say that Amazing Spider-man was “better than any of the old ones,” which is just plain stupid. The original movies, specifically Spider-man 2, hit on what makes Peter parker such an engaging character. The more good he does, the more it hurts him. In Spider-man 1 he chooses not to be with the girl he loves to protect her. In Amazing he is told by her dying father, a police officer who gave his life to save Peter, not to be with her to protect her, but then he does it anyway.
                Of course most reasonable people would agree that the first two Spider-man movies were better than the new one, and I need to get to why Spider-man 3 specifically is better than Amazing. First off I feel like I need to explain exactly why the series was rebooted instead of going on with a fourth Spider-man, like planned. A lot of people seem to think that Spider-man 4 was never made because, like Batman and Robin, it was so terrible that they thought the series was beyond saving and just started over. This is completely wrong.  After the critical and financial failure of Batman and Robin the studio tried to make another for years, going through various directors and scripts until after eight years, finally coming to the Oscar nominated director Christopher Nolan to reinvigorate the series. The Spider-man series on the other hand was restarted after only five years by an unheard of director. Also unlike Batman, Spider-man 3 was both a critical and financial success. While many members of the public despised it, Spider-man 3 was warmly received by critics. It currently holds a 63% on Rotten Tomatoes, a website that determines what percentage of critics gave a film a positive review. To give that number some context Watchmen has a 64%. Spider-man 3 also made buckets of money, it has only recently been surpassed as the most financially successful Marvel movie of all time (it’s now second behind The Avengers.)
                So if critics liked Spider-man-3, and it made a ton of money, then was the fan outcry really big enough that it was still rebooted? Nope. Why then? I’m glad you asked, it’s all studio politics. See, a few years back Disney bought Marvel and got the film rights to most of their characters, other than of course their really big ones that already had deals with studios. Some of those characters were Spider-man and the X-men, whom you may have noticed have both had reboots in the past year. You also may have noticed that they were both absent from the big Marvel team up, The Avengers. Before Iron-Man came out none of those Avengers, except possibly Hulk, were seen as very popular, and so the rights to the much more valuable Spider-man and X-men were kept by Sony and Fox respectively. After Spider-man 3 came out Sony had a finite amount of time to make another Spider-man film or they would lose the rights to him too. The director of the Spider-man trilogy, Sam Rami, wanted to take his time to make the fourth film, but the studio wanted him to rush, giving him an earlier planned release than he was comfortable with, so Rami walked. Without Rami Tobey McGuire was unwilling to do another movie, and so Sony scrambled to get a new Spider-man movie together, in order to keep the rights. If you thought that Amazing Spider-man felt like a movie thrown together as quickly as possible to make a quick buck you’re quite perceptive.
                So enough of the technical stuff, let’s get to the heart of the movies. Both are flawed, but Spider-man 3’s flaw is that it simple has too much going on, much like Iron-man 2. Amazing on the other hand is a complete mess or, at least the second half is. Spider-man 3 is a tale about revenge. Revenge touches the lives of every character in it. Peter wants to take revenge on the Sandman for killing his Uncle Ben, and he wants revenge on Mary Jane for breaking his heart. His revenge is represented literally by the symbiote, which feeds off Peter’s desire for revenge and makes him more powerful, but he grows further from the ones he loves and loses himself. He has to let go of this power to become himself again, and stop doing “Saturday Night Fever” dance numbers. Peter isn’t the only one motivated by revenge however. His best friend Harry Osborne wants revenge on him from supposedly killing his father, who became the villain Green Goblin. Harry follows in his father’s footsteps in order to take his revenge on Peter. Once peter abandon’s the symbiote it finds someone else hungry for revenge, Eddie Brock, who Peter wronged, and now he too seeks revenge on Peter, and Eddie becomes Venom. All of these plots come together in the end during a final battle between Sandman, Spider-man, the new Green Goblin, and Venom.
                Before the battle Peter goes and seeks forgiveness of Harry, who at first denies him but after Harry comes to the realization that it was his father’s own hatred that caused his death, he arrives to help his old friend, letting go of his quest for vengeance. During the battle Eddie becomes separated from the symbiote, but is unable to let go of the power and his need for revenge and he dies along with it. In the end Harry too sacrifices himself for his friend, redeeming himself in death. Only Spider-man and Sandman are left when Sandman tells Peter he has done terrible things, and asks for his forgiveness, which Peter gives him. The Sandman turns to a wisp of sand and floats away, metaphorically freeing both of them from this tragic cycle of vengeance. The last shot of the movie is of Pater and Mary Jane reunited, knowing that they have both hurt each other, but presumably trying to forgive one another. It’s a powerful message. In Amazing Spider-man Peter also deals with revenge, in fact he becomes Spider-man to take revenge on the burglar who killed his uncle, not out of some desire for justice. Then then forgets all of that revenge stuff because he literally creates a monster called “The Lizard”. The burglar, who is Spider-man’s main motivation during the first half of the film, is never mentioned in the second half other than a picture on Peter’s nightstand.
                “With great power comes great responsibility,” also takes on new meaning in Amazing. In “Spider-man 3” he runs into problems because he lets his personal vendettas becomes more important than justice, his “great responsibility.” In Amazing he only has a responsibility because he makes the monster. The whole second half of Amazing Spider-man is a B-movie. What’s especially problematic about this entire cheesy plot is how it completely clashes with the overall feel of the movie. The movie desperately tries to make Spider-man more “Modern” by having him do things like skateboard and wear contact lenses. This doesn’t work well with a plot taken straight from the Spider-man comics of the sixties, which are completely unrealistic by today’s standards. Nothing important happens in the second half except for Spider-man stopping some goofy science fiction plot to turn all the citizens of New York City into lizards, and a bit of a love story. Some might say they intentionally made a less complex plot to avoid overcomplicating the movie like Spider-man 3, but the thing is there were many plots in the beginning of the movie that were simply forgotten during the second half.
                The fact that so many plot lines were completely ignored in the end of the movie was my main gripe. Having a plot carry over into the sequel is no problem, but this is something else altogether.  A perfect example of a plot being set up for the sequel is Harry Osborne’s hatred of Spider-man during Spider-man 2. He bares resentment against Peter for being Spider-man’s photographer the entire film, and during the climax of the movie discovers his true identity and his father’s weapons. This perfectly sets up the events of the next film, while also moving the plot along sufficiently in Spider-man 2. Amazing Spider-man on the other hand just ignores major plot points brought up until literally after the credits have started rolling. The first half of the film revolved around Peter’s parents having to escape from something (presumably Norman Osborne), Norman Osborne’s mysterious sickness, and the burglar, along with of course Peter getting his powers. The film’s ad campaign promised to “reveal the secret past of Spider-man,” and the first half of the movie seemed to be shaping up to do just that. The movie even starts with a flashback to Peter’s parents escaping someone with nefarious intent. There is plenty of buildup to finding out the mystery of how they, Norman Osborne and the scientist who became the lizard were connected. Then the second half started and all we got was Spider-man stopping a giant Lizard from releasing a poison gas that would make the New Yorkers lizardfolk. A horribly short and vague scene was crammed into the middle of the credits that implied that the Norman Osborne and Peter’s parents plots would be addressed in the sequel (or possibly Iron Man 3 if Disney and Sony work out some sort of deal, which is unlikely but possible.) This awful tease is the only thing close to a resolution we get.
                If unresolved and B-movie plots aren’t enough to convince you, take the characters into account. I’ve heard some people say that Andrew Garfield completely outshone Tobey McGuire. I disagree with this pretty strongly, the way the character is portrayed in the originals is still clearly superior. The Amazing version of Spider-man isn’t particularly deep, and neither are any of the other characters. One major complaint of Spider-man 3 was “when he went emo.” I thought that part was actually pretty funny, and it seemed less that Peter was “emo” than a nerd trying desperately to be cool. It was corny, and people who know Sami Rami movies know that he likes corny stuff that shouldn’t be taken seriously, but people still took it very seriously. Amazing Spider-man takes things far too seriously on the other hand, other than a few quips by Spider-man; it seems a lot closer to an emo teen than Spider-man 3 ever did. It’s not just Peter that is a shallow character in the new version. While I love Emma Stone and her performance was great as always her character is written thinly at best. The most disappointing character in the movie is none other than the mad scientist who becomes a villain. The Lizard in most portrayals is a very tragic character; he is usually a family man who goes too far and end up endangering the one he loves. In Amazing he is just your basic mad scientist. The villains in Spider-man 3 are all interesting and sympathetic characters. Venom is a dark reflection of Spider-man, Harry is a tragic character who’s struggle between good and evil is embodied in his decision to choose between his father’s legacy and his friend. Last and perhaps most tragic of all is the Sandman, who became a criminal to help his sick daughter, and became a monster by horrible accident. I admit, there are a couple characters that really were better in Amazing, such as Flash and Martian Sheen’s portrayal of Uncle Ben, but there was one major thing missing, J. Jonah Jamison. His omission is very noticeable; in fact the likely reason he wasn’t in the movie was because J.K. Simmons portrayed him absolutely perfectly. Who could top that performance? If you don’t really believe he was that great of a character, here is proof: 

                All in all neither movie is perfect. Spider-man 3 feels like a good story with too much stuff in it and that made a few missteps (Harry amnesia), but still managed to tell an engaging story about revenge. Amazing Spider-man feels like a movie made to meet a deadline by people who don’t really know anything about the character of Spider-man to tell the story of a guy fighting a big lizard.

Sunday, July 15, 2012

Emperor Palpatine is F.D.R.

                So chances are if you are reading this your enough of a nerd to who Emperor Palpatine is. If you’re not, you probably still know about “Star Wars”, and Plapatine is the big bad guy in those movies. He is Darth Vader’s boss, the creepy dude in black robes who looked like he was a million years old and shot lightning out of his fingers. If you never saw Star Wars, and have no idea what I’m talking about, then go watch it instead of reading this article. Either that or watch “Indiana Jones”, because chances are you need to watch that too if you haven’t seen Star Wars. On to the point, and that is that Emperor Plapatine was based on Franklin Delano Roosevelt. Am I saying that F.D.R. was a power hungry dictator? No. I think George Lucas was saying that.
                Where to start? Well since this is a blog entry about Star Wars I’ll start in the middle.  That being said, I’ll be primarily just discussing his actions in the prequel trilogy since he didn’t even show up until the end of “Return of the Jedi” in the originals. In those movies he was a looming threat in the background, and not a character with a lot of depth (not that a whole lot of characters in the prequels had depth.) Back when “Revenge of the Sith” came out a lot of people thought that Palpatine was a critique of George W. Bush because he was involved in a war and expanded executive powers. However this is pretty vague and could be applied to most of the presidents dating back to Lincoln. There was however, a President who was involved in a war that engulfed the entire world in a scale that no one had ever seen before, which employed new and terrifying technologies. In Star Wars Palpatine ruled during the first “full scale galactic war since the formation of republic”. 
                Of course this too is pretty vague, and just because both wars enveloped all of civilization, it doesn’t mean that the two are identical situations.  These similarities are just beginning however. In the original trilogy the Death Star was a plot device, but in the prequels it’s nothing more than a very secretive project to develop a weapon of mass destruction, the first of its kind. Much like something known as the Manhattan project. And just as Hiroshima and Nagasaki were destroyed, so was Princess Leia’s home planet Aalderna. “Hey!” You might say, “F.D.R. didn’t bomb Hiroshima or Nagasaki, that was Truman.” Right, and Palpatine didn’t blow up Aldernaan, that was Vader. 
                Palpatine’s plans stretch back far back to before he was ever the Chancellor. Do you remember the plot for Episode I? No? That’s alright a lot of people have tried to forget it. Well, the movie revolved around an economic crisis. The crisis itself didn’t really make any sense, but it served two important purposes. First of all it gave the chacters something to worry about, but more importantly it’s what got Palpatine elected as the Chancellor. Palpatine’s predecessor, Chancellor Valurum did too little to solve this economic crisis, so Palpatine was elected, he was seen as someone who would be able to handle these tough economic times. Ever hear of the Great Depression? Some guy, Herbert Hoover was president back then you see, and his plan to fix the economy was basically do nothing. Everyone thought he was weak so they decided to elect a “Strong candidate.”
                Once elected F.D.R.’s new deals and other projects began to vastly expand executive powers. Now expanding executive powers was nothing new, even in F.D.R.’s time. However there was one thing that no president had ever done, and that is stay in power for more than two terms. When George Washington stepped down after his second term a precedent was set, which was that no one should campaign for the presidency more than twice, and in all of those years the only other President to campaign for the presidency more than twice was Ulysses S. Grant, and his third campaign was both nonconsecutive and unsuccessful. F.D.R. campaigned and won four terms, he kept running even in severely declineing health, and served as president until he died. The reason that Washington stepped down after two terms was he did not want America to have a king or emperor figure, who would rule all their life. Washington was reluctant to serve even a second term and refused to serve a third. After Roosevelt died the unwritten law on not exceeding two terms was made into written law so that no one could ever do what he did again. So what does any of this have to do with Palpatine? Well in the Star Wars Padme (Natalie Portman) mentions that Palpatine has also stayed in power for more than the customary two terms, by way of amending the constitution.
                Plapatine’s increasing power did not stop there. During the course of the war, which began in his third term, Palpatine continually gained more and more “Emergency powers” which allowed him to become more and more in control of the government. The powers of the senate were being vastly depleted and he often went over their head with his new executive powers. Replace Palpatine with F.D.R. in every sentence in this paragraph and it still works. F.D.R.’s massively expanding powers completely overshadowed the other two branches of government during the Second World War.
                Just as F.D.R. is often celebrated as being one of our greatest presidents as he gave himself more and more power, Palpatine was in the prequels a well-liked leader. Padme even says “This is how liberty dies, with thunderous applause,” while the rest of the members of the senate cheer for him declaring himself emperor. In the same speech that Palpatine announced that he would become emperor, he also revealed a physical deformity that in his own words left him crippled. F.D.R’s polio was one of his most memorable aspects, and he would also have been considered crippled, using a wheelchair in his later years. In the original movies Palpatine had the same wrinkles and hunched, but that seemed at the time to be just a way to show he was old and evil. No mention was ever made of him being crippled. Why then would Lucas make him crippled instead of just having the wrinkles be the product of old age, as everyone already assumed? Palpatine would have been in his eighties in the original trilogy, those wrinkles would make sense on an eighty-something man. The reason for this seemingly insignificant change was most likely to draw yet another parallel between Palpatine and F.D.R.
                Not long after Palpatine was crippled he declared that the Jedi were enemies of the republic and they were to be hunted down. These Jedi which had been born in the Republic and had been citizens their entire lives were, as a group, declared a threat to the republic, just because they were from the same group as someone who attacked the republic. In the case of Star Wars, a group of Jedi attacked Palpatine. Likewise once Pearl Harbor was attacked by Japanese President Roosevelt signed an executive order which placed Americans with Japanese descent into concentration camps. This order was both highly unethical, and eventually ruled unconstitutional. Perhaps the most striking similarity between these two executive orders is what they were called. The order that destroyed the lives of so many Japanese by stripping them of their possessions and having the army place them into concentration camps was “Executive Order 9066”. In Star Wars when Palpatine tells his army to literally end the lives of the Jedi he says, “Execute Order 66.” This is too much to just be a coincidence.
                So it would seem that George Lucas intentionally based Palpatine, the ultimate evil in the Star Wars universe on one of the most revered presidents of all time. Writers and directors have been using their stories to make political statements about leaders as long as there was literature. Any middle school teacher will tell you that the pigs in animal farm were a critique of communist Russia. The same thing is present in the “Star Wars” prequels, Lucas presents a scathing criticism of a president that America has come to idolize.